What does this mean?
How do we articulate what we have learned in recent decades from a "cultural constructionism" of subjectivity and literary canons with aesthetic ecstasy (both the "old" and the "new" aestheticism)? Deleuze's and Derrida's notions of a "dissolved cogito" and "non-egological" consciousness in the context of aesthetic ecstasy. More generally, in what might life "after the subject" consist? A reevaluation of both the continuities and apparent standoff between phenomenology — Husserl, Heidegger, Sartre, Michel Henry — and poststructuralism. I.e., possible revisionary versions of the dominant account of French thought from existentialism to the present. For example, were the French poststructuralists really ever the "constructionists" (still less the "cultural" constructionists) they have been claimed to be? Distinguishing between constructionism's lasting contributions and its simultaneous unwitting complicity with the domination of all life-forms by global capitalism.
The professor who wrote this botched abortion of a paragraph, by the way, is Philip Wood, of Rice University. I'll bet his film classes are a hoot.
Last 5 posts by Patrick Non-White
- Eventually That Animal Is Going To Turn On You, And You're Going To End Up The Victim! - December 5th, 2013
- if you MARRY! like your REPRODUCE! doctor you OBEY! can keep NO INDEPENDENT THOUGHT! your doctor. SUBMIT! if you CONSUME! like your STAY ASLEEP! plan you can WATCH TV! keep it. BUY! period. NO IMAGINATION! - December 4th, 2013
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